Used to slice betel nut (foah) as well as dried fish (hiki mas) | Eydhafushi, Maldives | Nikon D3100 | (2013)‬

It’s all about the aesthetic | G9X II

Dramatic skies over Hobart today | G9X II

(bondi) | G9X II + LR + Glitché + Enlight | (2018)

Day one | S6 | Hobart ‬

G9X II + LR + Glitché | (2018)‬

Last meals | G9X Mark II | (2018)

Tasmania | G9X Mark II (2018)

Untitled (bowl & fish) (1991/2011) Jannis Kounellis

Beside Myself (2017) James Turrell

Artifact (2010), Gregory Barsamian

The human engine (2018) & Your shadow rising (2018), Toby Ziegler

Doble progresión azul y negra (Double Progression Blue and Black) (1975) Jesús Rafael Soto

Lichtregen (Light Rain, (1966; recreated in 2018) Günther Uecker

Cunts... and other conversations (2008–11) Greg Taylor and friends

Hiroshima in Tasmania—The Archive for the Future (2010) Masao Okabe and Chihiro Minato

At MONA, Tasmania, Australia | Canon G9X MkII (2018)

Whoever drew these faces has to be one of the greatest artists of our time | G9X Mark II | (2018)

The rain forest feels like a reef. Everything is covered in life. What a glorious sight. | Duckhole Lake Track, Tasmania | G9X Mk II | (2018‬)

Rivers of fractal asphalt | G9X Mark II | (2018)